1. The New Yorker, March 3, 1973. Arthur Getz.

    "He drew inspiration equally from the nightclubs of Manhattan and the apple orchards of New England; but his covers, taken as a group, seem really to be about the joy of painting itself. He preferred a high-keyed palette, and laid on his colors with an energy and directness that often led him to the edge of Abstract Expressionism." — Lee Lorenz

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    The New Yorker, March 3, 1973. Arthur Getz. "He drew inspiration equally from the nightclubs of Manhattan and the apple...
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